在峰 & 黃鶯和他們的新媒體團(tuán)隊(duì) Y&H 源作攜手央視打造了一場(chǎng)全息投影和舞蹈表演的浸入式新媒體作品，在這個(gè)大型跨界合作項(xiàng)目的一系列作品中，進(jìn)一步探索不斷具體化的虛擬性。如果說(shuō)浸入式藝術(shù)是用技術(shù)宗教形成空間包圍，全息投影則將人類的身份與信息形式的界限模糊和打破，在這個(gè)系統(tǒng)中，再現(xiàn)的身體與表現(xiàn)的身體通過(guò)不斷變幻的投射影像結(jié)合起來(lái)，我們的主體變成了一個(gè)混合物，一個(gè)由各種異質(zhì)、異源成分的集合，一個(gè)物質(zhì)與信息的混合體，持續(xù)不斷的建構(gòu)并重建自身與系統(tǒng)之間的關(guān)系，以及對(duì)真實(shí)世界與虛擬世界的重新審視。
Zaifeng & Huang Ying and their new media team was invited by CCTV to create immersive art space and holographic projection show for an adolescent science and technology program. The team uses 1,600 screens to turn virtual VR into a physical version of the grand stage, allowing each participant to find a role in it. Dancing in the holographic projection space further explored the virtual nature of constant reification. If the immersion space is surrounded by a technique of religion, holography obscures and breaks the boundary between human identity and information form. In this system, the representation of the body combined with the performance of the body through the changing projection images. Our subject becomes a mixture, a collection of heterogeneous, a mixture of matter and information, constantly building and reconstructing its boundaries.
Y&H·源作 是跨領(lǐng)域新媒體團(tuán)隊(duì)，根植于藝術(shù)、科技、技術(shù)等多方位領(lǐng)域，不斷跨越真實(shí)世界和虛擬世界認(rèn)知與體驗(yàn)的邊界。
